Tag Archives: wiz khalifa

Here’s some of the “music” released recently.

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“Let’s Go (feat. Chris Brown)” by will.i.am

So, if you haven’t heard the controversy over this track, I’ll attempt to give my best amount of knowledgeable background. Mat Zo and Arty collaborated on a track titled “Rebound” on Anjunabeats. Then, Will.I.Am. and Chris Brown collaborate and commercialize “Let’s Go” … which is honestly the exact same song. They didn’t even remix the original… they just added lyrics. And the best part? They didn’t get permission and they didn’t give credit to the original producers.

“What do I know? I give it to legal I’m not no attourney. I did my piece. I gave credit to the person who did it, It’s not my fault he didn’t tell me about the other guy. So who’s to blame? I didn’t know, I wasn’t in the room when you made it. You shoulda told me you had a collaborator.” – Will.I.Am. in response.

You’ve got to be kidding me. Literally… I could have told you that Arty was a collaborator on the original track, “Rebound” by Mat Zo, just by typing “Rebound by Mat Zo” into Google… and guess what?! I’m not even an attorney! Silly how common sense works.

Then we have this great display of American intelligence:

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Holy mother of God. First of all, the grammar and spelling in this tweet is less developed than a 3-year-old toddler’s. Second, according to Chris Brown’s tweet and completely logical thought process, it really doesn’t matter if I ever disregard the law or engage in copyright infringement… as long as someone asked me to do it.

2.0 by 98 Degrees

I get that bands take hiatuses and then later release their “comeback” album, but this is one band that probably should have stuck to acting on reality shows, becoming members of Chippendales, and trying to run for mayor. Although, to be fair, they failed at their attempts to succeed at those careers too. They came back together so long after they broke up that they were surprised they blew up on Twitter and Facebook… welcome to the new media, grandpas. This album is terrible. Just listen to the first single, “Microphone,” which I can’t even figure out what genre to label it as – it’s a terrible mix between electronic, pop, and autotune. Side note: it’s also about oral sex. Sorry, but there’s something terribly wrong about 40 year olds singing songs about oral sex that target the pre-teen segment of the world. The best part is that when being questioned if they knew the song was about oral sex, they respond by saying they thought it was about singing in a microphone. Really… if the song was truly about microphones it would not contain the lyrics, “I’ll make you scream at the top of your lungs.” To entertain you, here’s some quotes from them in their interview with The Daily Beast:

“We made a conscious decision that we weren’t going to write on this record. We wrote 11 of the 13 on the last record.”

Thank god your so dedicated to be the best possible musicians you can be!

“New music from 98 Degrees was something that we were getting requests for so we wanted to do it for that.”

Can I please get a show of hands of people who were requesting new 98 Degrees music?

“You can’t decide to come out and release a pop record when music is in a rock phase. It won’t be as successful. You really have to wait and time it right, and everything lined up to make this the right time.”

They argued that they waited until pop music became the biggest genre to release their album… so wait – they waited until EDM was blowing up to release a pop album.

“When people asked how does it feel to be a boy band, even in 2000, we always said, “Well we’re more of a man band,” because even then we were 27, 25—we weren’t necessarily boys.”

‘Man band’?? Stop. That makes you sound even more childish than ‘boy band’.

David Guetta feat. Ne-Yo, Akon – “Play Hard”

David Guetta… I used to have so much faith in you. I’ve been trying to plan my summer festival season around seeing you and now I’ll stick to Spring Awakening and Lollapalooza. The beginning of this music video made me want to hurt someone: that whole ghetto/badass build up with all the cash and creepy looking people just to get a pair of the ugliest boots I’ve ever seen in my life made me want to puke all over my computer and then throw it across the room. Also, “Play Hard” samples (without credit might I add) Alice Deejay’s “Better Off Alone” – two important comments on this. First, is it impossible for artists to come up with their own beats these days? It’s honestly becoming pathetic. Second, THIS SONG DOES NOT SAMPLE WIZ KHALIFA’S “SAY YEAH.” ARE YOU KIDDING ME? There’s a special place in hell for all of the people on YouTube commenting such things as…

“This song is stolen from Wiz KhalifaWork hard play hard ad say yeah. i think david Guetta is an ashole.”

1. No, it’s not. 2. Grammar: it’s your friend. 3. It’s spelled “asshole” not “ashole,” you idiot.

“Sounds like Wiz Khalifa’s “Say Yeah”…”

OMG You’re right!!! And you know what Wiz Khalifa’s “Say Yeah” sounds like? ALICE DEEJAY.

Maroon 5’s New Single “Payphone” Feat. Wiz Khalifa Available Today

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From Total Assault:

Pre-order New Album Overexposed Due Out June 26th

Grammy winning recording artist Maroon 5 debuted their new single “Payphone” featuring Wiz Khalifa live on the smash hit show The Voice. The song is now available on iTunes and is the first track to surface from the band’s highly anticipated fourth album Overexposed, due out June 26th. The album was executive produced by Max Martin (Katy Perry, Pink, Britney Spears) with additional tracks produced by Benny Blanco (“Moves Like Jagger”) and OneRepublic’s Ryan Tedder.

Maroon 5’s musicianship and front man Adam Levine’s vocals are as distinct as ever on Overexposed. The band began writing and recording the album during their most recent world tour, and the resulting collection is chock-full of undeniable, anthemic melodies. Overexposed features 12 new songs, including such standout tracks as the emphatic single “Payphone” featuring Wiz Khalifa, the irresistible “One More Night,” and the rhythmic ballad “Beautiful Goodbye.”

Overexposed is available for pre-order now on iTunes and will be released in multiple formats, including CD, digital download, and a deluxe edition including vinyl, postcards, and a t-shirt. Maroon 5 is also releasing a special Songs About Jane 10th Anniversary re-issue on June 5th, which will feature demos, unreleased material, videos and more.

For pre-orders and more information, visit Maroon 5’s official website at www.Maroon5.com.

This Week’s Recent Releases: July 27th-August 3rd

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1. Remix: Cee Lo Green feat. Wiz Khalifa – Bright Lights, Bigger City (August 2)

This is not a remix in any way. Since when does “featuring” mean removing twenty seconds from the original song and throwing in another artist to rap one verse? Literally, Wiz Khalifa is “featured” in this remix for thirty-five seconds. This remix is almost as bad as the remix of OneRepublic’s “Good Life” featuring B.o.B. and the only reason Cee Lo Green’s is better is because at least Cee Lo and Wiz are from the same genre of music. The original “Bright Lights, Bigger City” had great dance rhythms and beats paired with the unique voice of Cee Lo Green and an addicting chorus. However, the remix is just the same song with a new thirty-five second verse; definitely not worth the $1.29 on iTunes.

2. Single: Jack’s Mannequin – My Racing Thoughts (July 29)

I’m always happy to hear new Jack’s Mannequin songs; they’re one of those bands you enjoy listening to and never lets you down. The combination of a piano, drum set, and guitar give this song an excellent alternative sound. In addition, Andrew McMahon’s brilliant lyrics will have you singing along in seconds: “I think I’m running low on inspiration, she’s running long on borrowed time.” Keep an eye out for the album People and Things on October 4th because if this single is any indication of how amazing the album will be, we are all in for a grand treat.

3. Album: Bassnectar – Divergent Spectrum (August 2)

Perhaps the most popular song on this album currently is the “Lights” remix featuring Ellie Goulding. However, the album also includes artists such as Rollz, Gogol Bordello, ill.gates, Jantsen, and Seth Drake. Each song carries a heavy dubstep beat and amazing drops. It won’t be long until the entire album is being played in clubs. Bassnectar’s remix of “Lights” combines a very soft voice with deep beats in a smooth manner. “The Matrix,” similar to Bassnectar’s previous song “Basshead,” will blow your mind with its electronic sounds and “Above and Beyond” does actually go above and beyond. Although not many songs on the album feature vocals, the bass is enough to keep you listening. I vote that it’s definitely worth the $9.99 on iTunes if this is your kind of music.