Tag Archives: nicki minaj

Songs I Never Want to Hear Again in 2013


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The popular music of today is absolutely terrible and while I do listen to it, I would also not miss most of it if was never played again. Also as a disclaimer, I fully admit to listening to all of these songs multiple times, alone and at the numerous college pregames, which without drunken college students, I’m pretty sure none of these songs would ever even make it to the public.

1. Toby Keith – “Red Solo Cup”

This song is literally about a red solo cup… a red plastic cup… Nothing else. No deeper meaning. No metaphor. Just a cup.


2. Psy – “Gangnam Style”

This song is actually worse than Rebecca Black’s “Friday.” It’s not even in English, yet it’s also not even all in the same language; at least commit to one consistent language. Have you ever actually looked at the translation of the lyrics? No, probably not because that would take actual effort. The lyrics are literally, “A classy girl who knows how to enjoy the freedom of a cup of coffee.” That is almost worse than Justin Bieber telling every teenage girl that they would survive starvation as long as they love him.


3. Taylor Swift – “We Are Never Ever Getting Back Together”

No one was ever trying to get back together with you, Tay, I promise. And no one likes it when you stop the general flow of the song to talk in the middle in an annoyed voice.


4. Madonna ft Nicki Minaj – “Give Me All Your Luvin”

This was just another pathetic comeback for Madonna. It’s almost worse that Madonna was good music when music was still good. She was the queen of pop and then she comes back in 2012 with a song that only illustrates her inability to correctly spell the word love. Honestly, she paired with Nicki Minaj and M.I.A. while chanting “L.U.V. Madonna” and thought it would be a good song? Never play it again.


5. Flo Rida – “I Cry”

If you would like to hear this song, may I suggest listening to the original and better song by Bingo Players. Hint: the title of the song is “Cry” and Flo Rida will never actually give them any credit for it.


6. Rihanna ft. Chris Brown – “Birthday Cake”

Here’s the first thing that’s wrong with this song: Rihanna featuring Chris Brown. If you really need an explanation on why that’s bothersome, type “Chris Brown beats Rihanna” into Google because that will sum it up in the most vulgar way. Then google “Jenny Johnson and Chris Brown” because that’s the best comedic summary of him as a person. I remember the first time I heard this song and thought about how terrible it was so I tried to look it up by the lyrics, but failed when I realized that the only lyric was “cake.”


7. Drake – “The Motto”

Because “YOLO” should have never become a thing.


8. Skylar Grey ft. Emimen – “C’mon Let Me Ride”

I had a lot of hope for Skylar Grey after the P. Diddy single “Coming Home” and her help on “Love the Way You Lie.” Then I heard “Invisible” and I had even more hope for her. The hope even continued growing after hearing the Kaskade remix of “Invsible” and the DJ R3hab remix of “Dance Without You.” And then I heard “C’Mon Let Me Ride” and I no longer have any hopes for her in the music industry. There is no aspect of this song that should ever be considered catchy or good.


9. Flo Rida – “Whistle”

We just really did not need another song that when translated from radio-appropriate to its real meaning is simply telling every listener how to give proper oral sex. First 50 Cent tainted my 12-year-old mind by telling me that lollipops were simply magic sticks that needed to be sucked, and now today, young minds are tainted with Flo Rida telling them to put their lips around the whistle and start real slow.


10. Nicki Minaj

There is no one song. Let’s just get rid of Nicki Minaj.


However, you can play Carly Rae Jepsen’s “Call Me Maybe” every day.


Good, Bad, Good – Music Releases for February 1-15


It’s been a while since I posted. Where I have I been, you ask? Sitting on my couch catching up on Gossip Girl and in the library… catching up on Gossip Girl while staring at my textbooks pretending I understand anything about politics and the legal system. So, basically, I have no acceptable reason for not posting since that extremely memorable night when Avicii came to Madison. (Unless of course, like me, you count Blair Waldorf and Chuck Bass’s not-so-fictional love consuming my life an acceptable reason.)

There’s been a lot of music released in the past couple weeks. Let me warn you though because it’s not all good. So we are going to play a little game of good, bad, good.


1) GOOD: Katy Perry, “Part of Me”

So, I’ve never really heard of this Katy Perry character, but this song is pretty good. Kidding. Obviously I am obsessed with her and this song has already been played an absurd amount of times on my computer (not to mention that it’s on repeat on my iPod and is the only song that’s been played since Sunday night). Debuted on Sunday night during Katy Perry’s Grammy performance, “Part of Me” is already number one on iTunes top 10 and I’m very excited to see where it lands on Billboard’s Top 100 tomorrow.

Any guesses about which person this song is about? That’s a joke. It literally could not be any more obvious. What I particularly like about this song is that it doesn’t stray away from the coined Katy Perry sound. It’s got the same colorful lollipop and candy sound as her other great hits such as “Firework” and “Hummingbird Heartbeat.” Of course, it also has the soon to be over-quoted line, “This is the part of me that you’re never gonna ever take away from me.”

However, let me tell you that this song does bother me and make me a little angry. Katy, when are you going to give up on trying to get six singles from one album and breaking the Billboard record? At this point, I’m just losing respect for you and your pathetic attempts. If you actually had to re-release your album with new singles just to break the record, then it wasn’t meant to be. Of course, I love the fact that I am currently jamming to a new song and, in a few weeks, there will be two more for me to hear, but in my mind, I will not accept this as breaking the record if you do.


2) BAD: Madonna, “Give Me All Your Lovin’”

God. It kills me to admit that Madonna just does not have it anymore. This song is a disgrace to the 1980s Madonna. This song screams why she should have stopped making new music. So, on that note – anyone want to loan me $300 so I can see her in Chicago on her tour this year?

First issue: “L.U.V. Madonna! Y.O.U. You wanna!” I’m sorry… one, that is NOT how you spell love, and two, really clever lyrics – how long did it take you to write those? I just expect more from her, but apparently that’s too much to ask for? The fact that she even references “Lucky Star” is a disgrace. Don’t go back to your glory days while singing this song, please. Also, Madonna, as you sang, “Every record sounds the same, you gotta step into my world,” did you not realize that this song sounds exactly like every other pop song released this year?

Second issue: Nicki Minaj. She has ZERO talent. Seriously, as a society, have we not recognized this?? Why do we keep putting her in all these songs? She’s terrible. Did you not see her performance at The Grammy’s? Offense, disgusting, and terrible. I’m ashamed that Madonna even paired herself with Nicki Minaj.

All in all, Madonna is not who she used to be. At this point, she no longer stands out from the crowd, but blends in more and more with each new song. Not excited for the new record to drop on March 26th. However, seriously… I want to see her live (as long as I can get some of The Immaculate Collection being performed).


3) GOOD: The Fray, Scars & Stories

The Fray has yet to ever let me down. It’s kind of hard to review an entire album that’s this good in a short segment, but I can do it. The first single, “Heartbeat,” took over radio stations and my iTunes recently played playlist. The message of it was amazing, the lyrics were catchy, and the sound was perfectly “Fray-ish:” mature and alternative.

Then, before the album was released, the band was kind enough to put the entire album on iTunes available for free streaming. Naturally, I was too busy catching up on Gossip Girl, 90210, and other seemingly identical shows to hear the album for free, so I waited until it was available for full-price purchase.

The entire album is absolutely amazing. One issue is that none of the songs are really different… meaning that as a whole, the album is great, but individually the songs kind of start to sound identical. That’s fine though because the sound is mesmerizing. Personal favorites are “The Fighter,” “1961,” and the beautiful ballad, “Be Still.”


BOOM! There it is. I know you were all sitting on the edge of your seats (basically about to fall off because it’s been so long) waiting for a new post. I’ll be back tomorrow, no worries.

WTF’s Review of 2011’s Music Industry. Shockingly, it was positive.


I think last year, at this time, I made a prediction that the music in 2011 was basically just going to suck. However, I think I have been proven wrong with the impact of Adele and the advancing of the indie genre with Bon Iver and Mumford & Sons. We had the introduction of Beats by Dr. Dre (which I’m happy to say that, thanks to Santa Claus and Christmas, I am currently listening to music through right now), and Spotify brought a new way of launching a variety of music to listeners (furthering the idea of the Long Tail. The music industry also transitioned from a business model to a subscription model (which thanks to UW-Madison’s fine, fine education, I actually understand what that means now… well, sort of).

Before you can discuss the rest of the positives of the music industry’s bounce back in 2011, you have to understand the state it was in before. In February, EMI, the record label for The Beatles and Pink Floyd in the past and Katy Perry and Coldplay in the present, hit bottom and was split in half: its recording division being sold to Universal $1.9 billion and its publishing division to Sony for $2.2 billion (Knopper, 2011). On a smaller level, Chicago’s Q101 and New York’s WRXP, two alternative radio stations responsible for the introduction of Coldplay and The Black Keys, left the music industry and switched to talk radio. The most obvious, we lost a music legend, Amy Winehouse.

So, moving on to the positives. According to Rolling Stone magazine, The Year of Adele had a major impact on the music industry. Her album, 21, sold 14.5 million copies in 10 months and boosted the overall album sales by three percent in the US. Then, there was the introduction of, and fight over the control of, the Music Cloud – Spotify, iTunes Match, Google Music, Amazon Cloud, and MOG. (For more information on those, check out Rolling Stone’s article “Digital Music’s Cloud Revolution.”)

I think that Billboard.biz editor Jem Aswad sums it up best: “…we all continue to wrap our heads, hearts and wallets around a world in which music isn’t an object or even a possession anymore, but – in terms of artist’ livelihood, anyway – a means to sell tickets, placements, merch, swag, scents, booze, and every other conceivable revenue tributary of Brand Me.”

With that in mind, let me introduce the Top 30 Songs of 2011, my way.

There are some general guidelines for my list. First, it was created based on an average rating compiled from Billboard Top 100 Songs of 2011, iTunes Rewind 2011, and Rolling Stone’s Top 50 Singles from 2011. Second, the song had to be on a minimum of two lists in order to be eligible for WTF Music Review’s list (as much as I wanted OneRepublic’s “Good Life” to be on my list, I had to cut it). Third, I did not count a Not Rated (NR) as a 0, but instead I just did an average based out of two; therefore, it might not be the most reliable list, but who cares. Fourth, if an artist had more than one song on my list of 30 Songs of 2011, I don’t bother repeating myself so the second (or third, fourth, etc.) song doesn’t have information to go along with it. Fifth, and finally, I’m only talking about the top 10 songs because I realize how long this post is already and I need to take into account the “news hole” (check out what I learned in my Journalism class this past semester). Deal with it.

1. Adele – “Rolling in the Deep”

(Billboard = 1, iTunes = 1, Rolling Stone = 1)

Adele had a great year, hence why all three lists had her hit single, “Rolling in the Deep” ranked number one of 2011. Her album itself, 21, sold 14.3 million copies.  “Rolling in the Deep” spent 51 weeks on Billboard’s Hot 100, just jumping up six spots this past week to number 35. Although Adele did not take away any American Music Awards for “Rolling in the Deep, the single won Best Art Direction, Best Cinematography, and Best Editing in the 2011 MTV Video Music Awards. Recently, the single was listed as a 2012 Grammy nomination for Record of the Year, Best Short Form Music Video, and Song of the Year; in addition, the producer of the Record, Paul Epworth, was nominated for Producer of the Year. It’s no argument that this song should be number one (and believe me, I tried really hard to figure out a way to put Katy Perry at number one). The most current rumor, according to Billboard.biz and Rolling Stone Magazine is that Adele is currently slated for two performances in 2012 and a tour, but with her recent surgery and two cancelations in 2011, I can’t be too sure. All I know is, we definitely have not heard the last of Adele.

2. LMFAO – “Party Rock Anthem”

(Billboard = 2, iTunes = 2, Rolling Stone = NR)

Although not present on iTunes or Billboard’s top albums of 2011 lists, LMFAO’s album Sorry for Party Rocking did a pretty nice job on its sales this year. Also, to be honest, Billboard’s list is a little less than trusting seeing as it has three Justin Bieber albums and two Glee soundtrack albums on it. The song had an extraordinary amount of radio airplay time, not just for a season, but also for a prolonged period of time. In addition, the memorable video was nominated for Best Choreography at the 2011 VMAs. Then, LMFAO closed the AMAs by performing this song, as well as their second single “Sexy and I Know It,” even bringing on guests such as Justin Bieber (who completely embarrassed himself) and David Haselhoff, followed by parading the stage in their underwear.

3. Katy Perry – “Firework”

(Billboard = 3, iTunes = 3, Rolling Stone = NR)

Katy Perry had a record-tying year, proving to be extremely successful overall. Teenage Dream was not a new album to the year – it was actually released in August 2010. However, “Firework” was the third single from the album to reach the number one spot on Billboard’s Hot 100, preceded by “California Gurls” and “Teenage Dream.” Katy did not stop at “Firework,” however, as she followed up with two more number one singles from the same album, “E.T.” and “Last Friday Night,” allowing her to tie Michael Jackson’s Billboard record. This accomplishment didn’t go unnoticed since Katy Perry was awarded with an achievement award at the 2011 American Music Awards after giving an acoustic performance of her current sixth single, “The One That Got Away,” which is currently sitting at number three on the Hot 100 chart.  Currently, “Firework” is also nominated for the Record of the Year Grammy, along with Best Pop Solo Performance. At the VMAs, it took Video of the Year, but Katy Perry was nominated for a total of 10 awards. Finally, Katy Perry wrapped up her California Dreams Tour this year after visiting 94 cities and performing 122 times. Billboard rated it the number 13 tour of 2011.

4. Bruno Mars – “Grenade”

(Billboard = 6, iTunes = 4, Rolling Stone = NR)

I genuinely did not think this song did as well as it did, and was extremely shocked when I saw it rated so high on the end-of-the-year charts. The only real thing I remember about this song is all the comments mocking the lyrics of the song, including ones like, “Why would someone be throwing a grenade at a woman?” Regardless, it was a good song. “Grenade” is up for Record of the Year in the Grammys this upcoming February. The album which the song is off of, Doo-Wops & Hooligans, is nominated for Best Pop Vocal Album in the 2012 Grammys. For Bruno Mars himself in 2011, he performed a tribute to Amy Winehouse and proceeded to pick up his first AMA, winning Favorite Pop/Rock Male.

5. Pitbull – “Give Me Everything”

(Billboard = 5, iTunes = 6, Rolling Stone = NR)

The most overplayed song… ever. To me, it was really catchy at first and I listened to it all the time, then the radio caught on, and I listened to it a lot less. The song did really well though. Pitbull performed this song at the 2011 VMAs, though it was not nominated for any awards. In addition, “Give Me Everything” peaked at number one on Billboard’s Hot 100; the song is now falling off the chart, but has been on it for 39-running weeks. However, the song’s reign did not end in the US, as it also reached number one on the U.K. Singles Chart. However, the song also got some negative PR this year when Lindsay Lohan sued Pitbull for referencing her in the song… really, Linds, get over it.

6. Katy Perry feat Kanye West – “E.T.”

(Billboard = 4, iTunes = 7, Rolling Stone = NR)

See Katy Perry “Firework”

7. Cee Lo Green – “Forget You”

(Billboard = 7, iTunes = 5, Rolling Stone = NR)

I remember driving around to this song this past spring, but after a while, it became one of the many songs archived on my iPod never to be played again. It was not a bad song; I just don’t necessarily see what was so great about it to make it to an average of number seven on this list for 2011. In fact, its presence was most prominent in 2010, when it released in August, and was nominated for multiple Grammys (Record of the Year, Song of the Year, and Best Short Form Music Video), as well as won Best Urban/Alternative Performance. It did have presence in 2011 though, when, in March, it became the best-selling song in the USA in 2011, selling 1,865,000 times.

8. Maroon 5 feat Christina Aguilera – “Moves Like Jagger”

(Billboard = 9, iTunes = 8, Rolling Stone = NR)

This song, as well as Adam Levine’s appearance on Christina Aguilera’s “The Voice,” really helped boost both Aguilera’s and Maroon5’s success this year. “Moves Like Jagger” reached number one on Billboard’s Hot 100 the week of September 10. This song has also been nominated for a 2012 Grammy: Best Pop Duo/Group Performance. The song has been listed for a total of 453 weeks in 21 different charts, which according to acharts.us, is more than any other Maroon 5 and Christina Aguilera song.

9. Nicki Minaj – “Super Bass”

(Billboard = 8, iTunes = 10, Rolling Stone = NR)

Along with Adele and Katy Perry, Nicki Minaj owned 2011. Currently, she is nominated for Best New Artist, Best Rap Performance (for “Moment 4 Life”), and Best Rap Album (for Pink Friday) in the 2012 Grammys. In addition, “Moment 4 Life” was nominated for Best Collaboration in the 2011 VMAs. Specifically, “Super Bass” won the VMA for Best Hip-Hop Video and was also nominated for Best Female Video. There was also the YouTube sensation Sophia Grace that grew famous from their cover of “Super Bass.” This song has been on Billboard’s Hot 100 for a total of 20 weeks, peaking at number one. Also, look out for Nicki Minaj’s one-of-a-kind Barbie doll in 2012… uh, enough said.

10. Foster the People – “Pumped Up Kicks”

(Billboard = 13, iTunes = 9, Rolling Stone = 11)

It’s nice to see this kind of music in the top 10 songs of the year. First, I’d like to encourage everyone to pick up the rest of Foster the People’s album, Torches, because it is exceptional. “Pumped Up Kicks” was overplayed this year, which would have killed it… if it weren’t so good. I like to call it a unique sound. The song was nominated for Best Rock Video at the VMAs, but sadly did not win. The song also never reached number one on Billboard’s Hot 100; it peaked at number three where it remained for eight weeks.

11. The Black Eyed Peas – “Just Can’t Get Enough”

(Billboard = 10, iTunes = 14, Rolling Stone = NR)

12. Jennifer Lopez – “On The Floor”

(Billboard = 11, iTunes = 15, Rolling Stone = NR)

13. Lady Gaga – “Born This Way”

(Billboard = 18, iTunes = 11, Rolling Stone = NR)

14. Britney Spears – “Til the World Ends”

(Billboard = 27, iTunes = NR, Rolling Stone = 3)

15. Enrique Iglesias – “Tonight (I’m Lovin’ You)”

(Billboard = 16, iTunes = 16, Rolling Stone = NR)

16. Chris Brown – “Look at Me Now”

(Billboard = 21, iTunes = 13, Rolling Stone = NR)

17. Adele – “Someone Like You”

(Billboard = 24, iTunes = 12, Rolling Stone = NR)

17. Rihanna – “S&M”

(Billboard = 12, iTunes = 24, Rolling Stone = NR)

17. Lady Gaga – “The Edge of Glory”

(Billboard = 29, iTunes = NR, Rolling Stone = 7)

20. P!nk – “F**kin’ Perfect”

(Billboard = 19, iTunes = 20, Rolling Stone = NR)

20. P!nk – “Raise Your Glass”

(Billboard = 17, iTunes = 22, Rolling Stone = NR)

20. Katy Perry – “Last Friday Night (T.G.I.F.)”

(Billboard = 14, iTunes = 25, Rolling Stone = NR)

23. Bruno Mars – “The Lazy Song”

(Billboard = 26, iTunes = 18, Rolling Stone = NR)

24. Wiz Khalifa – “Black and Yellow”

(Billboard = 31, iTunes = 17, Rolling Stone = NR)

25. Lupe Fiasco – “The Show Goes On”

(Billboard = 28, iTunes = 21, Rolling Stone = NR)

26. Ke$ha – “Blow”

(Billboard = 33, iTunes = 19, Rolling Stone = NR)

26. Jeremih & 50 Cent – “Down on Me”

(Billboard = 22, iTunes = 30, Rolling Stone = NR)

26. Lil Wayne – “6 Foot 7 Foot”

(Billboard = 41, iTunes = 28, Rolling Stone = 9)

29. Ke$ha – “We R Who We R”

(Billboard = 30, iTunes = 27, Rolling Stone = NR)

30. The Black Eyed Peas – “This Time (Dirty Bit)”

(Billboard = 37, iTunes = 23, Rolling Stone = NR)

Ha! You thought I was done? Never. The year still had more great music. Now, it’s obvious that the album of the year was Adele’s 21, but how about the other albums that were released in 2011 that never quite made it to the top of the charts? First, there was Wisconsin’s finest Bon Iver’s album Bon Iver. Not only did it help me focus on my studies, but the song “Holocene” received Grammy nominations for Record of the Year and Song of the Year. Then, the album as a whole was nominated for Best Alternative Music Album. In addition, Bon Iver was nominated for Best New Artist himself. Bon Iver had a big impact on music in 2011: it helped bring the indie music world to big time music industry with its Grammy nominations.

Another album I must discuss is Florence + the Machine’s Ceremonials. The album, which was just released in late October/early November, depending on where you live (which we all know I lived in the UK that day), although did not sell as many copies as the group’s first album, Lungs, is sure to continue being a big hit in 2012. Already, it has had two big hits, “What the Water Gave Me” and “Shake It Out,” and the group was recently seen performing on Good Morning America’s Fall Concert Series. In addition, they have already announced a UK tour for next year, and hopefully, for my sake, will visit the US very soon.

FOR THE FINALE! Music has had a good year. Physical album sales dropped 10 percent in 2010, but with the help of Adele, rose three percent in 2011. It was also expected that in 2011, digital sales would jump 10 percent. In general, the music didn’t suck too bad either – I mean, I’m thrilled to have the Artist of the Year be Adele rather than a no-talent rap star (lots of offense should be taken there). I can’t predict where music will go in 2012, but I’m hoping it continues to improve. Adele’s reign will end and will hopefully be followed with another album (23, perhaps?). Katy Perry will either break the record or peak at number three. Indie music might continue to make its way up the popular music ladder. Radio stations might continue to replay the same ten songs on a loop. The Cloud might change music, as we know it, forever. Hey, Kelly Clarkson came back this year… maybe The Spice Girls will come back in 2012. There’s no way to really predict what will happen. The music industry always seems to surprise us. What I know is that I’ll be here to make more sarcastic comments along the way.

Live Coverage of the 2011 VMAs


That’s it – I’m done. Thanks for joining me!

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The VMAs are here! Specifically, in approximately 6 hours from when I type this sentence. They haven’t started yet so neither has the live coverage, logically. Check back here for live updating of VMA winners, performance reviews, and coverage of all those awkward, embarrassing, or stupid moments!

In the meantime, read my picks or participate in this poll:

(Update 10:23pm Central)

Video of the Year = Katy Perry “Firework”

Well, I wanted to Katy Perry’s “Firework” to win ever since the moment it was nominated… and IT DID! The VMAs definitely got it right this time and wrong with the other eight she didn’t win. “Firework” deserved an award – it’s amazing, it’s meaningful, and it’s a huge hit. The video itself is absolutely fantastic and encouraging. Katy Perry is also potentially the nicest and funniest female artist as of right now and so deserving of this award. Congratulations, Katy. This song is perfect and means so much to me. Also… how adorable at the end of her speech when she got all sweet and said, “And last, but not least, my husband.”

(Update 10:12pm Central)

Bruno Mars Performance Review

Amy Winehouse was one of the most talented artists to ever come to our music industry and she was an extreme loss this year. Russell Brand did a great job honoring her. I’m extremely happy that Amy Winehouse was also honored by a cover of her song “Valerie” by Bruno Mars. His voice does her justice. He, along with his band and backup singers, put on a great performance, including a sing along to the words “Amy,” “We love you baby,” and “We’ll miss you baby.” It was so nice to see everyone singing along in the audience – she clearly had a profound effect on everyone.

(Update 9:58pm Central)

Best Female Video = Lady Gaga “Born This Way”

I’ll be honest, I had written Katy Perry and almost cried when I had to erase it and replace it with Lady Gaga. Seriously, the video was not that good and she’s still dressed as a man and pretending that she’s not Lady Gaga. WTF? I’m so confused as to who suggested her outfit for the night. I definitely still think that Katy Perry should have won still. I’ll let this slide though. At least it went to Lady Gaga who has had more than one huge hit and much success.

(Update 9:42pm Central)

Best New Artist = Tyler, The Creator “Yonkers”

Who is this guy? He’s up for Video of the Year, too, and according to my poll, he’s favored to win. I’ve never even heard of this song except for the one time I listened to it while I was making my picks for VMA winners. All I have to say is that when I heard it, I immediately stopped it because I thought the song and video sucked that much. Extremely disappointed. You all suck at voting.

(Update 9:31pm Central)

Britney Spears Tribute Performance

Definitely different than I expected since rumors of performances by Janet Jackson, Katy Perry, Demi Lovato, and more were rumored. Approximately 50 amazing dancers dressed in every well-known outfit that Britney Spears has ever worn in a music video.The dancing was amazing along with the flashbacks to all of Brit’s music videos. A tribute to Brit was amazing, but she’s still around and still getting bigger so we’ll obviously need another tribute soon. No one is more deserving for this than Britney though.

As for accepting her award, I’m extremely happy that was a fake kiss with Lady Gaga – not necessary to repeat Madonna and Britney.

(Update 9:19pm Central)

Chris Brown Performance Review

As much as I don’t like Chris Brown, his performance was unique, clever, and impressive. Although he didn’t really sing, he brought back older songs with a new twist including Nirvana, and some awesome dance moves. In addition, there were people flying in the air and dancing. Chris Brown’s performance was focused more on beats and dance more than singing which is completely fine with me – sometimes that’s all you need. Overall, I was very impressed with Chris Brown’s performance at the 2011 VMAs. I was expecting great dance moves and he didn’t prove me wrong.

(Update 9:14pm Central)

Best Male Video = Justin Bieber “U Smile”

How did that win? You’re kidding me. I’m embarrassed that you all voted for Justin Bieber over Eminem. The lyrics to the song you voted for are “Baby, whenever you smile, I smile.” I really never even thought that this video had a chance against the other nominees. I guess congratulations to Bieber and I now understand why he was so high on the Twitter Tracker, but in my opinion, he did not deserve this award.

(Update 9:02pm Central)

Adele Performance Review

That awkward moment when Katy Perry introduces Adele as a nominee for Video of the Year and she’s nominated too… However, related to Adele’s performance – oh my god amazing. Granted, Adele isn’t the most entertaining performer of the VMAs because she just stands there and sometimes moves her hands, by far she is the one with the best vocal performance. I have to thank her for not performing “Rolling in the Deep” because I wouldn’t have been as impressed with her playing her overplayed hit. With this performance, she continued to completely outshine herself; however, I still can’t root for her over Katy Perry for Video of the Year.

(Update 8:53pm Central)

Pitbull/Ne-Yo Performance Review

This is so far my favorite performance of the VMAs. They sounded really good! Ne-Yo and Pitbull’s vocals were both there, now let’s just hope that they were actually singing and not lip-syncing. Ne-Yo was also working up some really good dance moves throughout that performance as he twisted and turned around stage. The background dancers also caught my eye as they stayed true to their precise choreography. Then, finally, Pitbull’s bright red pants and clean, white jacket kept my eyes on the screen.

(Update 8:47pm Central)

Best Collaboration Video = Katy Perry feat Kanye West “E.T.”

I just screamed in my mind. I have never been so excited to see Katy Perry win an award. She’s so excited, too. Congratulations to Katy for her first moonman and screw you to Kanye, who just stood there and said “I have more.” In addition, she’s hilarious as she got on stage and said to Kanye, “This is the part where you interrupt me.” It’s all of the enthusiasm and humor she had in her speech that makes me so happy she won. Also, the video clearly took a lot of effort from Katy, Kanye, and the editing department. It’s a great video with great editing and special effects.

(Update 8:40pm Central)

Best Hip-Hop Video = Nicki Minaj “Super Bass”

I didn’t really have a preference for this category going into the VMAs because I didn’t like any of them. My first reaction to the winner was “OH MY GOD” and not because of the winner, but because of the thought, “WHAT THE F*CK IS NICKI MINAJ WEARING?” You can’t beat Lady Gaga; she created the whole #whatwillgagawear sensation so back off Nicki Minaj. However, I will react to the award as well. The video never made impressed me, but the song has been a recent hit so I understand why many people have voted for it. At least it has an addicting chorus.

(Update 8:29pm Central)

Best Rock Video = Foo Fighters “Walk”

I think this might be one of the few videos nominated that actually deserves a VMA. The video has plot and premise and still focuses on the music. Then, in addition, the Foo Fighters are obviously one of the best rock bands to come to this generation. However, the speech was a little too repetitive – not of itself, but of every other award speech ever. In the future, I ask celebrities to keep us entertained in speeches.

(Update 8:20pm Central)

Best Pop Video = Britney Spears “Til’ the World Ends”

Congratulations Britney Spears!!! To have someone who has been in the music industry for this long and been so extremely successful, it’s amazing to witness her shock and emotion for winning this award. I’m extremely happy to know that Spears took this award. She deserves it. Brit is just further showing us that she’s here to stay and anyone that doubted her throughout any troubles she went through are just stupid (that’s my nice way of putting it). As she accepted her award, she was in tears and thanked her little boys – so deserving.

(Update: 8:04pm Central)

Lady Gaga Performance Review

So, #whatwillgagawear was the most popular thing trending on Twitter for quite some time leading up to the VMAs. Let’s change that to #wtfisgagawearing now. I was expecting such a better opening performance from Lady Gaga, anyone else? She’s dressed like a man and the dancing is sub-par. If you watched the reactions of the audience throughout that performance, you’ll see that no one, except Katy Perry (and I’m pretty sure that’s because she might be easily amused), had a positive reaction … and what might be Jay Z was on his phone. The singing does sound quite impressive; I’ll give it that much. Overall, that performance was too masculine and weird for her.

(Update: 7:49pm Central)
Awards have started to be distributed and early winners are already disappointing me and my picks.

Best Video With a Message = Lady Gaga “Born This Way”

Best Art Direction = Adele “Rolling in the Deep”

Best Editing = Adele “Rolling in the Deep”

Best Cinematography = Adele “Rolling in the Deep”

Best Choreography = Beyonce “Run the World (Girls)”

Best Special Effects = Katy Perry feat. Kanye West “E.T.”

Well, Best Video With a Message is extremely disappointing, only to me personally. Gaga did put out a great song that gathered a lot of attention and it had a great meaning. “Firework” by Katy Perry was my graduation song because it spoke to my family about some things I went through in my last year of high school, so I guess I had a huge bias towards it and was really pulling for it to win. Also, my love and obsession for Katy Perry doesn’t help. I guess I still understand how Gaga took this award. Adele so far is stealing away the VMAs – WTF? Let’s see how many she gets throughout the night. Lastly, of course I’m ecstatic that Katy Perry took her first moonman with Best Special Effects. 1 for 10 so far. Let’s follow that.

(Update: 6:23pm Central)
For the 2011 awards show, MTV has created the “Twitter Tracker” to keep track of which celebrities are tweeted about the most before and throughout show. In addition, when the show starts, their Twitter Tracker will follow each celebrity’s tweet from their seat and viewer’s favorite photos from the show. Take a look at the Top 10 most tweeted about celebrities though and realize what’s wrong with it.
1. Joe Jonas
2. Justin Bieber
3. Miley Cyrus
4. Lady Gaga
5. Jersey Shore
6. Chris Brown
7. Selena Gomez
8. Katy Perry
9. Adele
10. Drake
Ok, so the first person isn’t even nominated for an award, so logically we should tweet about them. He’s just presenting an award and his recent release didn’t even get much publicity – no need to give him so much attention. Bieber is up for one award against Eminem and Kanye West – he definitely won’t even win. Miley Cyrus… really? She’s not presenting, performing, or receiving an award. I’m not quite sure how she got to #3 most tweeted about. Jersey Shore, I understand because they have a new special episode tonight. Lady Gaga, Chris Brown, Adele, and Selena Gomez make complete sense, as does Katy Perry; however, Perry was nominated for 10 awards – how is she not higher? Think about this while you tweet.
[Correcting myself – I did not realize that Miley was presenting an award so I retract my “not presenting” statement.]

Check back here for live updating of VMA winners, performance reviews, and coverage of all those awkward, embarrassing, or stupid moments!

2011 MTV’s VMAs Preview


Tune in on Sunday, August 28 for LIVE VMAs updates!!!

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The VMAs are coming up so soon – Sunday, August 28, 2011 – exactly one week from today. There’s been a lot of buzz about this year’s Video Music Awards. For starters, Katy Perry set a record by receiving 10 nominations for her videos “E.T.,” “Last Friday Night,” “Teenage Dream,” and “Firework.” Second, MTV introduced a new category this year that awards artists for their ability to empower listeners: Best Video With a Message. Third, an “epic” tribute to Britney Spears has been planned to honor the 29-year-old singer. Supposedly, included in this tribute will be Katy Perry performing “Oops! I Did it Again,” Lady Gaga performing “Circus,” Ke$ha and Nicki Minaj performing “Gimme More,” Demi Lovato performing “Toxic,” and Janet Jackson performing “I’m a Slave 4 U.” However, so far, all I can find is that these performances are rumors not approved by MTV just yet. Lastly, Lady Gaga has the extreme honor of opening the VMAs; as always, this performance should be both entertaining and a little bit scary.

Let’s see my picks for each nomination category:

Best New Artist Nominees:
1. Big Sean feat. Chris Brown – “My Last”
2. Foster the People – “Pumped Up Kicks”
3. Kreayshawn – “Gucci, Gucci”
4. Tyler, The Creator – “Yonkers”
5. Wiz Khalifa – “Black and Yellow”

My pick = Foster the People’s “Pumped Up Kicks”

This category was really hard to pick a winner. Big Sean was out when I saw the Shallow Hal video that features nothing more than Big Sean sitting in a chair or on a balcony and Chris Brown doing the most uncreative dance moves ever witnessed. Kreayshawn was out when I realized how little talent existed in the video or the singing. Tyler, The Creator was out after I was too disgusted to continue watching after only fifty-eight seconds. Then, it came down to Foster the People and Wiz Khalifa and the decision had to be made based on artist rather than video because both videos lacked point and creativity. In my opinion, Foster the People is definitely the best new artist of the year so it gets my pick.

Best Pop Video Nominees:
1. Adele – “Rolling in the Deep”
2. Britney Spears – “Til the World Ends”
3. Bruno Mars – “Grenade”
4. Katy Perry – “Last Friday Night (T.G.I.F.)”
5. Pitbull feat. Ne-Yo, Nayer & Afrojack – “Give Me Everything”

My pick = Katy Perry’s “Last Friday Night (T.G.I.F.)”

I’m definitely one of the people who wants Katy Perry to win in each of the ten categories she was nominated. Even besides that though, “Last Friday Night” is definitely the best pop video of the year. It’s fun and entertaining. It’s 8 minutes of pure creativity. In this video, Rebecca Black makes an appearance along with Kenny G and Katy Perry introduces Kathy Beth Terry. In addition, the way Perry’s song climbed its way up to number one on Billboard’s Hot 100 definitely proves that it will get the number of votes necessary to win. However, I wouldn’t be upset if Britney Spears took home the best pop video VMA this year either.

Best Rock Video Nominees:
1. Cage the Elephant – “Shake Me Down”
2. Foo Fighters – “Walk”
3. Foster the People – “Pumped Up Kicks”
4. Mumford & Sons – “The Cave”
5. The Black Keys – “Howlin’ For You”

My pick = Foo Fighters’ “Walk”

There are a few good choices in this category. The Black Keys had a good attempt with their video for “Howlin’ for You,” and while it created a good plot for a movie, the video dedicated more time to a fake plot line than the song. Foster the People and Mumford & Sons created amazing songs and semi-good videos that I would love to see win, but they don’t compare to Foo Fighters’ “Walk.” The video for “Walk” is humorous, following the path of Dave Grohl as he suffers through a bad day to make it to band practice, and shows exactly how dedicated to music the band is.

Best Hip-Hop Video Nominees:
1. Chris Brown feat. Lil Wayne & Busta Rhymes – “Look At Me Now”
2. Kanye West feat Rihanna & Kid Cudi – “All of the Lights”
3. Lil Wayne – “6 Foot, 7 Foot”
4. Lupe Fiasco – “The Show Goes On”
5. Nicki Minaj – “Super Bass”

My pick = Kanye West feat Rihanna & Kid Cudi’s “All of the Lights”

I hate hip-hop videos because they usually serve no purpose and only exist to show off the artists ability to dance or be surrounded by hot females. “All of the Lights” gets my vote because it’s pretty simple and features a warning to beware of seizures at the beginning of the video. The video does exactly what you would expect it to do: feature a lot of bright and flashy lights. Looking at the other nominees, you realize there really is no other winner. Lil Wayne does a horrible attempt at stealing from the movie “Inception;” Nicki Minaj does a very poor attempt at choreography; Lupe Fiasco only walks down the longest hallway ever to a small show; finally, Chris Brown makes an attempt at an underground dance club, but I can’t see him winning.

Best Female Video Nominees:
1. Adele – “Rolling in the Deep”
2. Beyoncé – “Run the World (Girls)”
3. Katy Perry – “Firework”
4. Lady Gaga – “Born This Way”
5. Nicki Minaj – “Super Bass”

My pick = Katy Perry’s “Firework”

How many times can I boast about the same video? All of these videos are good, except Nicki Minaj’s “Super Bass” – I still can’t seem to find the magic in that video. My bias still slants towards Katy Perry. She is an amazing singer and her video is amazing. Simply stated. [Realizing now that this is technically the first time I’m reviewing “Firework,” but I chose it as my pick for many other categories so you’ll read about it soon.]

Best Male Video Nominees:
1. Bruno Mars – “Grenade”
2. Cee Lo Green – “Fuck You”
3. Eminem ft. Rihanna – “Love the Way You Lie”
4. Justin Bieber – “U Smile”
5. Kanye West – “All of the Lights”

My pick = Eminem feat Rihanna “Love the Way You Lie”

Even besides the fact that this video includes Megan Fox holding fire, this video is amazing and extremely powerful. It’s also extremely sexy. The other videos on this nomination list are just too innocent and naive to compare to “Love the Way You Lie.” Eminem’s video is exactly what a music video should be – it’s meaningful and perfectly visual. Bruno Mars, Cee Lo Green, and Justin Bieber absolutely don’t stand a chance in my mind, whereas Kanye West is just too simple to overcome Eminem.

Best Collaboration Nominees:
1. Chris Brown feat. Lil Wayne & Busta Rhymes – “Look At Me Now”
2. Kanye West feat Rihanna & Kid Cudi – “All of the Lights”
3. Katy Perry feat Kanye West – “E.T.”
4. Nicki Minaj – “Moment 4 Life”
5. Pitbull feat Ne-Yo, Nayer & Afrojack – “Give Me Everything”

My pick = Katy Perry feat Kanye West “E.T.”

It came to Pitbull, Ne-Yo, Nayer & Afrojack versus Katy Perry & Kanye West. To me, there isn’t anything too spectacular about the video for “E.T.” compared to the rest of Katy Perry’s videos. It’s still good, don’t get me wrong, but much better things have come out of Katy Perry alone. However, compared to the list of other nominees, it still wins my vote. It has a lot of great effects and costumes whereas Chris Brown is wearing snow googles while dancing underground, “All of the Lights” is too simple, Nicki Minaj… is just no, and Pitbull created a video with absolutely no point. However, it wouldn’t shock me that this summer’s most overplayed song will win: “Give Me Everything.”

Video of the Year Nominees:
1. Adele – “Rolling in the Deep”
2. Beastie Boys – “Make Some Noise”
3. Bruno Mars – “Grenade”
4. Katy Perry – “Firework”
5. Tyler, The Creator – “Yonkers”

My pick = Katy Perry’s “Firework”

The winner has to be chosen between Adele and Katy Perry. A lot of people are saying that Adele will win because “Firework” is “old,” but I don’t think that’s the case at all. “Firework” was one of the best and overplayed songs of the summer and the video is absolutely amazing. In addition, Katy Perry is too big news to be considered “old.” Overall, I seriously think “Firework” deserves video of the year and will be really disappointed if it doesn’t win.

Best Video with a Message Nominees:
1. Eminem feat Rihanna – “Love the Way You Lie”
2. Katy Perry – “Firework”
3. Lady Gaga – “Born This Way”
4. P!nk – “Fucking Perfect”
5. Rise Against – “Make It Stop (September’s Children)”
6. Taylor Swift – “Mean”

My pick = Katy Perry’s “Firework”

The first four songs on this nomination list are beautiful enough to win. Enimem and Rihanna successfully show the hardships of a physically abusive relationship. Lady Gaga relays the message of how important it is to be yourself in a religious way. P!nk sings about something similar and encourages listeners to never put themselves down. Then there’s the two that I just kicked off the list that just aren’t powerful enough to compete. However, Katy Perry wins in my mind (shocker?). Perhaps I’m bias because this song was my graduation video and really spoke to me, but “Firework” delivers the most powerful message in the most metaphoric way. The video definitely delivers this message visually as each character’s story ends with a firework shooting out of his or her chest: “Baby, you’re a firework. Come on, let your colors burst.”

Non-voting categories (a little less detailed):

Best Art Direction Nominees:
1. Adele – “Rolling in the Deep”
2. Death Cab for Cutie – “You Are a Tourist”
3. Kanye West feat Dwele – “Power”
4. Katy Perry feat Kanye West – “E.T.”
5. Lady Gaga – “Judas”

My pick = Katy Perry feat Kanye West – “E.T.”

The costumes are pretty much the reason I give it to Katy Perry and Kanye West (also, it’s Katy Perry). They look amazing in this video. They scream futuristic which is exactly what they’re supposed to be doing.

Best Choreography Nominees:
1. Beyoncé – “Run the World (Girls)”
2. Britney Spears – “Till the World Ends”
3. Bruno Mars – “The Lazy Song”
4. Lady Gaga – “Judas”
5. LMFAO – “Party Rock Anthem”

My pick = Britney Spears’ “Till the World Ends”

No one dances better than Britney Spears and her dancers. Beyoncé and LMFAO may have some good choreography going in their videos, but it’s not to the Britney Spears level. Let Brit have her award – she’s got way more experience and has worked her way back up to the top. She deserves it.

Best Cinematography Nominees:
1. 30 Seconds to Mars – “Hurricane”
2. Adele – “Rolling in the Deep”
3. Beyoncé – “Run the World (Girls)”
4. Eminem feat Rihanna – “Love the Way You Lie”
5. Katy Perry – “Teenage Dream”

My pick = Katy Perry’s “Teenage Dream”

I actually just saw this video for the first time when I saw it was nominated for a VMA. To define cinematography: the art of making motion pictures. With that definition, I leave it to either “Love the Way You Lie” or “Teenage Dream.” I chose “Teenage Dream” not because of its affiliation with Katy Perry, but because it seems to do a better job creating a motion picture simply. There’s a lot of editing in “Love the Way You Lie” whereas “Teenage Dream” seems perfectly simple and realistic.

Best Direction Nominees:
1. 30 Seconds to Mars – “Hurricane”
2. Adele – “Rolling in the Deep”
3. Beastie Boys – “Make Some Noise”
4. Eminem feat Rihanna – “Love the Way You Lie”
5. Katy Perry feat Kanye West – “E.T.”

My pick = Eminem feat Rihanna – “Love the Way You Lie”

I fell in love with this video the day I saw it. It has real actors in it and Megan Fox is holding fire. Clearly, a lot of effort went into this video and it deserves all the credit. I think this video was perfectly directed to create an extremely powerful video.

Best Editing Nominees:
1. 30 Seconds to Mars – “Hurricane”
2. Adele – “Rolling in the Deep”
3. Kanye West feat Rihanna & Kid Cudi – “All of the Lights”
4. Katy Perry feat Kanye West – “E.T.”
5. Manchester Orchestra – “Simple Math”

My pick = Katy Perry feat Kanye West – “E.T.”

Again, I’m voting for Katy and Kanye. The lights are there, they’re flying, the costumes are great, the make-up is great. There’s no way that this video didn’t require hours upon hours of editing. There’s no way Kanye West’s “All of the Lights” can win – I could have made it on my computer with a little iMovie effects.

Best Special Effects Nominees:
1. Chromeo – “Don’t Turn the Lights On”
2. Kanye West feat Dwele – “Power”
3. Katy Perry feat Kanye West – “E.T.”
4. Linkin Park – “Waiting for the End”
5. Manchester Orchestra – “Simple Math”

My pick = Katy Perry feat Kanye West – “E.T.”

You cannot deny that this video has the best special effects. Kanye West and Katy Perry are flying, duh. That’s all the reason I need to give you. Also, who are Chromeo and Manchester Orchestra?
So, there it is. My picks for the Video Music Awards. I could be wrong – I mean, I did vote for Katy Perry in nine of the ten categories she’s nominated in and I’m not sure that’s entirely realistic. I’ll be here on Sunday, August 28th for live updating (something I’ve realized not many websites give you on awards’ nights).

Sunday Special: Billboard’s Hot 100 – Deserving?


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Feel free to watch the rest of this video from YouTube user BillboardGoddess, but the part I’m addressing starts at 7:10 and covers the Top 10 of Billboard’s Hot 100 countdown. This is a new segment that I plan to cover each Sunday: the Hot 100 – are we happy to see it so high or are we disappointed that it’s climbed its way to the top?

10. “Lighters” – Bad Meets Evil ft. Bruno Mars

I always enjoy hearing Bruno Mars’s voice; he has a very unique voice that was a surprisingly beneficial addition to this generation’s music. However, I’m happy to hear him as a featured artist in this song rather than a solo artist in his own song. As always, Eminem busts out raps better than any white man I’ve ever heard. I mean no offense to any race, but white men in the 2000s haven’t really shown that they can successfully rap. Then you hear, Royce da 5’9″ throw down a verse containing seemingly popular lyrics amongst raps these days: “What goes up must come down.” A little cliché, but Royce da 5’9″ has a somewhat soft voice that makes it acceptable. The only complaint I have with this song is the fact that this man thinks Royce da 5’9″ is a cool name.
Overall, thumbs up/glad to see it working its way to the top.

9. “Good Life” – OneRepublic

First, always listen to this original version rather than the remix version with B.o.B. No offense to him, but OneRepublic is just one of those bands that should stick with its musical genre rather than expand to rap. Second, I’m sad to see this moving down the list. The radio played it just enough to not make me hate it and OneRepublic created a good enough song to make me love it. It’s got a background whistle that I wish I could whistle along with, but unfortunately I never learned how to whistle, and Ryan Tedder’s beautiful man voice that I love to sing along with. In addition, it’s got a realistic message because this is the good life so live it.
Overall, thumbs up/sad to see it working its way off the list.

8. “Edge of Glory” – Lady GaGa

Let me admit that Lady GaGa does scare me, but she puts out some pretty addicting music. This song may be working its way off the Billboard list, but I don’t see its fame ending anytime soon – it will have quite the life span in clubs and remixes. Lady GaGa always successfully releases the perfect dance songs and “Edge of Glory” is no different. It’s a great pop song with a spontaneous beat and not-annoying vocals so don’t expect to see it disappear despite Billboard’s list.
Overall, thumbs up/moving off the radio and into clubs.

7. “Tonight Tonight” – Hot Chelle Rae 

I’m fortunate enough to see Hot Chelle Rae live in just a week so hopefully I’ll have more to say about them then, but for now, they definitely impressed me with their debut song. I always enjoy hearing an actual alternative band make it big, and I suppose Hot Chelle Rae has a somewhat pop feel to them, but it’s as alternative as the Hot 100 list will get during summer. This song screams summer with both the upbeat rhythm it gives and the lyrics such as, “There’s a party on the rooftop, top of the world” and “Just don’t stop, let’s keep the beat bumpin’.” I definitely expect to see more than a one-hit-wonder from these guys.
Overall, thumbs up/will stick around until the end of summer.

6. “How to Love” – Lil Wayne

For me, this is disappointing for Lil Wayne. Maybe it’s my inability to really sit down and listen to what is now considered rap, but it also might be that I remember the Lil Wayne that introduced “Lollipop” and “A Milli,” two songs with low beats and fast lyrics. I just don’t think that summer was the right time for Lil Wayne to release a slow, sappy love song. Apparently many disagree with me on this because it’s worked its way to number six on Billboard’s Hot 100, but I’m entitled to my opinion. I always expect more out of bad boy Lil Wayne.
Overall, thumbs down/skip it when it plays on the radio.

5. “Rolling in the Deep” – Adele

If you’ve read my past posts, you’ll know that I think this song is way too overplayed; that’s why I am glad to see it working its way down the list and, hopefully soon, off the radio. I love Adele, don’t get me wrong. She’s amazingly talented and has an absolutely beautiful voice. “Rolling in the Deep” is magnificent and Adele’s vocals continue to surprise me, but it’s time for another one of her songs to be recognized. Let “Rumour Has It” work its way up.
Overall, thumbs up/but get it off the radio.

4. “Super Bass” – Nicki Minaj

The only thing addicting about this song is the repeated vocals and corresponding rhythm of “boom ba boom boom bass.” I’m not even sure if those are the correct words, but really, they aren’t words to begin with. Nicki Minaj can do a decent accompaniment or short verse in someone else’s song, but I don’t think she has enough talent to actually have a solo career. I apologize if you disagree with me, but I hear nothing truly unique about this song.
Overall, thumbs down/missing the creativity.

3. “Give Me Everything” – Pitbull ft. Ne-Yo, Afrojack, and Nayer

Save this brilliant song by taking it off this list and limiting its play on the radio. I truly believe this song is great and deserved all the attention it got, but it’s getting overplayed. I’m glad to see it climbing down the list because now it can get its rest. Let the clubs and remixes play it from now on where its true purpose can be served. It’s a song that makes you want to dance with its upbeat rhythm and fast, easily-heard lyrics.
Overall, thumbs up/but overplayed on the radio.

2. “Last Friday Night (T.G.I.F.)” – Katy Perry

I admit that my Katy Perry bias will get in the way of this review once again. This song is perfect for summer and perfect for the Billboard Hot 100. I’ll be seriously shocked if it does not reach number one. Katy Perry worked her way up from a home that didn’t approve of MTV (not like that would have an effect because they don’t actually play music) and created songs that include lyrics such as, “And we took too many shots. Think we kissed, but I forgot.” If you’re like my friends and I, this song became the 2011 Summer Anthem.
Overall, thumbs up/let it peak at the top.

1. “Party Rock Anthem” – LMFAO ft. Lauren Bennett and GoonRock

I’m proud to see LMFAO in the number one spot. This song has been around for a few months now and it’s got just enough bass and upbeat to make it popular. It’s more techno or dubstep feel made it reach many different types of music lovers and the radio just barely stayed away from the overplay limit so that it didn’t annoy everyone that heard it. I can’t really predict much for this song – will it stay at the top for a few more weeks or it will quickly make its descent?
Overall, thumbs up.